2024年5月19日发(作者：电脑开机一直黑屏怎么办)

课外拓展（维多利亚时期名词解释）

1. English critical realism: English critical realism o f the 19th century

flourished in the forties and in the early fifties. The critical realists described with

much vividness and artistic skill the chief traits of the English society and criticized

the capitalist system from a democratic view point. The greatest English realist of

the time was Charles Dickens. With striking force and truthfulness, he pictures

bourgeois civilization, showing the misery and sufferings of the common people.

Another critical realist, William Makepeace Thackeray, was a no less severe exposer

of contemporary society. Thackeray’s novels are mainly a satirical portrayal of the

upper strata of society. Other adherents to the method of critical realism were

Charlotte and Emily Bronte, and Elizabeth Gaskell. In the fifties and sixties the

realistic novel as represented by Dickens and Thackeray entered a stage of decline.

It found its reflection in the works of George Eliot. Though she described the life of

the laboring people and criticized the privileged classes, the power of exposure

became weaker in her works. She seemed to be more morally than socially minded.

The English critical realists of the 19th century not only gave a satirical portrayal of

the bourgeoisie and all the ruling classes, but also showed profound sympathy for

the common people.

2. Victorian period: It refers to the era of Queen Victoria’s reign

(1837~1901). The period is sometimes dated from 1832 (the passage of the first

Reform Bill), a period of intense and prolific activity in literature, especially by

novelists and poets, philosophers and essayists. Dramatists of any note are few.

Much of the writing was concerned with contemporary social problems: for

instance, the effects of the industrial revolution, the influence of the theory of

evolution, and movements of political and social reform. The following are among

the most not able British writers of the period: Thomas Carlyle, Elizabeth Barrett

Browning, Alfred Tennyson, Charles Darwin, W. M. Thackeray, Robert Browning,

Edward Lear, Charles Dickens, Anthory Trollope, Charlotte Bronte, Emily Bronte,

Anne Bronte, George Eliot, John Ruskin, Matthew Arnold, George Meredith, Dante

Gabriel Rossetti, Christina Rossetti, William Morris, Samuel Butler, Swinburne,

Thomas Hardy, Robert Louis Stevenson, Henry Arthur Jones, Oscar Wilde.

3. Autobiography: It is an account of a person’s life by him or herself. The

term appears to have been first used by Southey in 1809. In Dr. Johnson’s opinion

no man was better qualified to write his life than himself, but this is debatable.

Memory may be unreliable. Few can recall clear details of their early life and most

are therefore dependent on other people’s impressions, of necessity equally

unreliable. Moreover, everyone tends to remember what he or she wants to

remember. Disagreeable facts are sometimes glossed over or repressed, truth may

be distorted for the sake of convenience or harmony and the occlusions of time

may obscure as much as they reveal.

4. Regional novel: A regional writer is one who concentrates much attention

on a particular area and uses it and the people who inhabit it as the basis for his or

her stories. Such a locale is likely to be rural or provincial. Once established, the

regional novel began to interest a number of writers, and soon the regions

described became smaller and more specifically defined. For example, the novels

of Mrs. Gaskell (1810~1865) and George Eliot (1819~1880) centered on the

Midlands, and those of the Bronte sisters were set in Yorkshire. There were also

“urban” or “industrial” novels, set in a particular town or city, some of which

had considerable fame in the 19th century. Notable instances are Mrs. Gaskell’s

Mary Barton

(1848), Charles Dickens’s

Hard Times

(1854) and George Eliot’s

Middlemarch

(1871~1872).

5. Dramatic monologue: Dramatic monologue is a kind of poem in which a

single fictional or historical character other than the poet speaks to a silent

“audience” of one or more persons. Such poems reveal not the poet’s own

thoughts but the mind of the impersonated character, whose personality is

revealed unwittingly; this distinguishes a dramatic monologue from a lyric, while

the implied presence of an auditor distinguishes it from a soliloquy. Major

examples of this form in English are Tennyson’s “Ulysses” (1842), Browning’s

“Fra Lippo Lippi” (1855), and T. S. Eliot’s “The Love Song of J. Alfred Prufrock”

(1917). Some plays in which only one character speaks, in the form of a monologue

or soliloquy, have also been called dramatic monologues; but to avoid confusion it

is preferable to refer to these simply as monologues or as monodramas.

6. Psychological novel: It is a vague term to describe that kind of fiction which

is for the most part concerned with the spiritual, emotional and mental lives of the

characters and with the analysis of characters rather than with the plot and the

action. Many novelists during the last two hundred years have written

psychological novels.

7. Künstlerroman: It is a novel which has an artist (in any creative art) as the

central character and which shows the development of the artist from childhood

to maturity and later. In English literature the most famous example of a

Künstlerroman is James Joyce’s A Portrait of the Artist as a Young Man.

8. Aestheticism: The term aesthetic has come to signify something which

pertains to the criticism of the beautiful or to the theory of taste. An aesthete is

one who pursues and is devoted to the “beautiful” in art, music and literature.

And aestheticism is the term given to a movement, a cult, a mode of sensibility (a

way of looking at and feeling about things) in the 19th century. Fundamentally, it

entailed the point of view that art is self-sufficient and need serve no other

purpose than its own ends. In other words, art is an end in itself and need not be

(or should not be) didactic, politically committed, propagandist, moral or anything

else but itself; and it should not be judged by any non-aesthetic criteria (e.g.

whether or not

it is useful).

9. Naturalism: Naturalism is a post-Darwinian movement of the late 19th

century that tried to apply the” laws” of scientific determinism to fiction. The

naturalist went beyond the realist’s insistence on the objective presentation of

the details of everyday life to insist that the materials of literature should be

arranged to reflect a deterministic universe in which a person is a biological

creature controlled by environment and heredity. Major writers include Crane,

Dreiser, Norris, and O’Neill in America; Zola in France; and Hardy and Gissing in

England. Crane’s “The Blue Hotel” (1898) is perhaps the best example in this

text of a naturalistic short story.