2024年4月30日发(作者：光盘刻录大师刻录失败)

最喜欢的一部改编自文学作品的电影的英语作文

When we see a film adapted from a favorite book or program, we hope that

the film will copy the experience of reading or watching the original work, which is

of course impossible. It should be understood that the novel can be of any length,

and can show many characters and intricate plots, while the length of the film is

limited by the projection time and lens. If we want to fairly evaluate an adapted

film, we should realize that although novels, plays or films can tell the same story,

each medium still presents its own works of art.

Director Xu Anhua is very dedicated to Zhang Ailing's literary works, but these

two works, Love in a Fallen City and Half Life, are also controversial as the First

Incense. Xu Dao himself said that he was deliberately different from Zhang Ailing.

From Sister Peach and Women, Forty, the audience can see the daily life, joys and

sorrows of ordinary little people. Director Xu Anhua has made such a successful

film to show Hong Kong's human feelings. However, Zhang Ailing described

Shanghai as an isolated island in the last century, so there are great differences

between the two.

It can be found that Xu Dao's personal style tends to be masculine. Most of her

films have grand perspectives, mainly on political themes, and are bold and

unconstrained. On this point, it broke the general impression of the audience on

the style of female directors' films. However, Zhang Ailing is a person who pursues

delicacy, with oriental rhythm and elegance. Therefore, when director Xu Anhua

presents Zhang Ailing's works, he always makes people feel less delicate.

However, no two creators have similar ideas. In almost any adaptation process,

there will be creative changes. As an audience, we must hold an equal tolerant

attitude towards all adapted films and give creators some artistic freedom.

Lenata Adler commented that "not every written work is eager to be put on

the screen." The writing style of a work will also affect the possibility of changing it

into a film. Next, we will mention the style and characteristics of Zhang Ailing's

novels.

Taking the First Incense as an example, the whole article seems to be written

from the third person objective perspective, but there are many descriptions with

Ge Weilong as the first perspective. "There is also a row of neatly trimmed

evergreen trees in the yard. There are two flower beds sparsely planted with

delicate English roses. They are all carefully arranged and neat, just like the light

meticulous painting on the lacquer plate. At one corner of the lawn, a small azalea

is planted, which is in bloom. The flowers are slightly yellow in pink, which is bright

shrimp red. The spring in the wall is just a false reflection of a scene. Who knows

that a single spark can start a prairie fire The spring in the village continued to

burn outside the wall. The wild azaleas were in full bloom all over the mountain,

and the burning red was burning down the slope all the way. "

This seems to be an objective perspective, but it is actually a description of Ge

Weilong's mood when he walked into his aunt's yard. Zhang Ailing writes from the

first perspective and the third perspective. In the novel, the first perspective mainly

focuses on the inner desire of Ge Weilong, and the third perspective focuses on

the objective environment and the ferocity of people around Ge Weilong. It is

Zhang Ailing's literary style to show Ge Weilong's own obsession and helplessness

of fate, which makes readers have complex feelings of love and hate.

However, omniscient or limited third person narrations and stream of

consciousness pilots both emphasize the characters' ideas or reflections, which are

elements that are difficult to portray with films. The first person perspective has no

real corresponding statement in the film, and the subjective lens used consistently

is not completely effective in the film. The usual way to solve these problems is to

ignore the perspective of the novel, ignore the paragraphs that focus on

expressing ideas or reflection, and only show the most dramatic scenes. However,

this kind of paragraph and perspective is the essence of the novel.

In the film "The First Incense", Ge Weilong's psychological activities are mostly

expressed by dialogue. Ge Weilong disdained and satirized her aunt's lifestyle, but

when she said these ideas in front of her aunt, she had completely broken her own

personality, because Ge Weilong was never the girl who easily expressed herself.

But movies also have their own advantages. For example, the direct expression

of color, the atmosphere of light and symbolic significance. When Ge Weilong first

came to her aunt's house, the description in the novel was "wearing the unique

uniform of Yingnan Middle School, green blue bamboo cloth shirt, knee high,

narrow and wide leg tubes below, or the style of the late Qing Dynasty." In the film,

the overall appearance is gray and blue. In the novel, it is written that "in a small

study, there are old Chinese decorations, white powder walls, the ground is paved

with blue stone lacquered cloth, gold paint, red damask cushion, and red red

Lingzi curtains." "When I opened the closet, there were clothes hanging in it, which

were resplendent; homely brocade robes, silk, soft satin, short coats, long coats,

and " In the film, the whole picture showed a bright blue.

The grey blue of Ge Weilong's body is very disharmonious compared with the

bright blue of his aunt's house. When Ge Weilong appeared with a lake blue skirt,

her body became bright color, which was somewhat similar to her aunt's brilliant

bright blue. Here, the film hints at the growth of Ge Weilong and the beginning of

her downfall. The color impact is easier to understand than the written description.

Another example is the performance of movie sound. When Mr. Situ gave Ge

Weilong a bracelet, he gave a "click", which was like locking Ge Weilong's fate in

the bracelet. Here, the film adds a more obvious symbol to the novel description.

When the film depends on the audience's understanding of the original work,

the audience who read the original work before watching the film will have

obvious advantages. But when film makers deviate from the essence of novels and

create completely different works, reading novels before watching films becomes a

rather unfavorable condition.

The film can help us to imagine visually. After watching the film, we can read

the original book with a clear impression of the appearance and voice of the

characters. On the other hand, watching the film first will limit our imagination and

participation in reading the novel, and our thoughts will always be fixed on the

screen images of the characters in the book.

You should keep a rational love for literature and film art.